With "Pianosequenza" Mario Zanaria pays homage to the contact sheet, a utility well known by analogue photographers. From the contact sheet, the photographer makes a selection, some images will never become public. In "Pianosequenza" the opposite happens, Mario Zanaria; "the individual photographs lose their original function as standalone images, and become the building blocks of a greater whole, making them barely significant (if not indeed pointless) without each other. At the same time, the contact sheet goes from being a mere container of frames to be selected, to being the central character, the essential element required for the final image to be revealed."
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